Recently, while searching for Spanish colonial Caribbean buildings and fortifications for a game table on which to play Blood & Plunder by Firelock Games–a project that will likely take me years but should be ready when my third and fourth children are old enough to play–I came across a truly iconic 28mm version of the classic Spanish fort by King’s 3D Prints, and I had to have it.
Why? Well, as I’ll explain in more detail shortly, because… Captain Blood. Disney’s Pirates of the Caribbean ride. Classic Hollywood swashbucklers starring Errol Flynn and Maureen O’Hara and others. The intelligent buccaneer romances of Rafael Sabatini. And most especially, childhood memories.
Not to mention that I’m working on a fully-annotated version of Captain Blood: His Odyssey by Rafael Sabatini, and it would make a great inspirational prop.
In the interest of full disclosure, let me say up front that I do historical consulting for Blood & Plunder (and Oak & Iron too). It’s a great game created by great people, with an emphasis on both enjoyable game play and historical accuracy. In fact, the creators of South Park love the game, and even featured it in episode 7, season 23 this past November 13 (2019).
But Firelock, which has a wonderful, beautiful, broad line of ships, vessels, figures, &c, doesn’t make a Spanish fort with the particularly iconic sentry box (I’m not trying to put you on the spot, Mike!), and this is what really makes “Spanish” Caribbean forts stand out to me. And not just Spanish forts, but European forts in general, even though pirate movies make us think that all such forts are Spanish Caribbean, or in some minds, “pirate” forts.
So, again, when I found this 3-D printed Spanish fort, I had to have it. More full disclosure: the seller recognized my name, knew I had written books on the subject of piracy and consulted for Blood & Plunder, and said he loved the game, it’s what got him interested in the period. And he sent me more than I had purchased, with a tongue-in-cheek piratical request that, if I didn’t mind, I’d put a small plug in for his product.
I decided therefore that this was a good excuse for a blog on Spanish Caribbean forts, so here we are, plug included, and I’m happy to do so. The 3-D printed fort is a very nice piece of work, perfect for evoking pirates of the Caribbean, not to mention the brave men and women who tried to defend their lives and property against these often brutal sea thieves.
Most people are probably familiar with this iconic fort from the Disney Pirates of the Caribbean attraction. Originally meant to be a comic depiction of a the sack of a Spanish Caribbean town by not-too-rapacious buccaneers–although in reality there was nothing comical about these attacks–it has been somewhat altered to bring it in line with the film series. But no matter, we’re all familiar with the pirate ship Wicked Wench bombarding the Spanish fort, its sentry box in plain view, even though no pirate ship would ever have survived such a cannonade. Buccaneers attacked Spanish forts from the shore, not from the sea, and for good reason.
So iconic is the image of the sentry box that it’s displayed prominently at the entry to the ride at Walt Disney World, and even more prominently at the nearby Pirates of the Caribbean lodging, in which there are several at the pool.
The opening scene at the Disney ride, at least once you’re past the scenes of the dead or undead pirates, in which ship battles fort, was without doubt inspired by the similar scene in the 1935 version of Captain Blood starring Errol Flynn and Olivia de Havilland. In it, following the plot of Captain Blood: His Odyssey by Rafael Sabatini, a Spanish pirate making a reprisal against English buccaneers launches an attack against Port Royal (although in the book it’s Barbados–screenwriter Casey Robinson streamlined the plot). But in reality, not even the most famous of all admirals, Michiel de Ruyter of the Netherlands, with a battle fleet at hand, could defeat the fortifications of Barbados, much less would he have been able to at Port Royal. It’s a fiction, albeit a fun one, which has been carried on by numerous swashbuckling novels, pirate films, and, especially, pirate video games, their arcade nature making such battles a natural fit.
The iconic Spanish fort made its way into other pirate films as well, such as The Spanish Main (RKO, 1945) starring Maureen O’Hara, Paul Henreid, Binnie Barnes (doing some excellent swordplay, by the way), and John Emery (also doing some excellent swordplay, much better than Henreid’s, notwithstanding that Emery had to lose to him in the finale).
Period depictions of the sentry box, used on forts across Europe actually, are more difficult to find.
In spite of a review of the plans of numerous seventeenth century Spanish Caribbean and other Spanish Main fortifications, the sentry box seldom shows up, although here it does in a somewhat inaccurate vista of Nombre de Dios.
And here’s a fort at Cumana, Venezuela, in 1704:
There are in fact three Spanish forts with the iconic sentry box–all very “piratey”–in the US, all worth visiting. Most impressive is the Castillo San Felipe del Morro in Old San Juan, Puerto Rico. The image at the head of this blog post was taken there in 1987.
In St. Augustine, Florida, is the Castillo de San Marcos, a classic Spanish fort, one attacked both by buccaneers and by Carolinians in the late seventeenth and early eighteenth centuries.
And nearby, at Matanzas, where the Spanish slaughtered an entire French colony in its early stages (in many ways a reprisal for French slaughter of Spaniards), is the Fuerte Matanzas, probably the coolest little fort in the world, evoking buccaneers and the Spanish Main close up. Every kid should have one!
There’s also a similar fort section, albeit a reproduction, at Fort Condé, or Fort Louis de la Mobile as it was originally known before it was relocated in Mobile, Alabama–French this time.
I know the Disney ride is fun and the Flynn film is outstanding entertainment, but I can’t recommend enough that you visit these forts in the US, and even better, visit those in the Caribbean and Latin America as well. For additional information, there are several good books on the subject of Spanish forts in the Americas, and I recommend starting with Fortificaciones en IberoAmerica by Ramón Gutiérrez, available as a print book and pdf as well.
And if you need a Spanish fort to set on your desk, well, you know where to find one!
Copyright Benerson Little, 2019. First published November 23, 2019, last updated April 26, 2020.
I have only made it to the Castillo and its little brother Fort Matanzas, but I did build full-sized 1/50 scale models of both! https://antonswargame.blogspot.com/2018/01/castillo-besieged-part-i.html and https://antonswargame.blogspot.com/2015/05/28mm-spanish-lace-wars-fort-part-iv.html
That’s really nice work! I enjoyed the Castillo a lot, but something, probably the small size, makes Matanzas my favorite, I’d have loved to have played there as a kid.
I’ve recently finished a diorama of one of Woodes Rogers privateers at the plundering of Guayaquil in 1709 – it resulted in research into Spanish architecture to obtain the correct-ish colour and makeup of stonework. Thus I thoroughly enjoyed your blog
Would like to add a photo to my reply but…well…I’m a bit of a luddite, can you advise .
Thanks for the comment! My apologies for my delay in answering. I wasn’t sure myself how to post an image in a reply, but the answer’s already been posted. Can’t wait to see the photo. 🙂
Right click on the picture on your blog, a menu will appear, then click on “save image location”, paste that into your comment in this blog, a lot of gibberish will appear as text (that is the information about your picture) then complete your comment hit the post comment button
Unfortunately I’m unable to figure out how to send your blog an image from my photo files, but I’ll keep trying. In the meantime however if you send me your email address I can do it that way.
All the best
Hi Emerson and Anton,
Thanks for the info but I’m ‘driving’ a Mac and my photos are in the Photo Library. Right clicking doesn’t give me a ‘save image location’ or anything similar. I had tried ‘dragging and dropping’ in the ‘Reply’ box but to no avail. Sorry to be such a luddite but…any suggestions.
My mistake, I assumed that you had posted the photo somewhere online already. You will need to post it, or save it, in something like Flickr or Photobucket which will create an “image location” that a computer can look at. I’m not sure how this all works with Apple products having driven an IBM clone all my life but once the image is in an internet based photosharing platform it should (emphasis on should) but available to be posted into a web blog by using the same steps I outlined earlier. Hope that helps. Failing that you could always email it to Benerson.
Thanks Anton – I’ll investigate but if unsuccessful I’ll email pics to Benerson.
Here are the images of your excellent diorama! 🙂 (Or at least, I hope they post…)
[…] For more details on the ship-versus-Spanish fort trope, see “The Iconic “Spanish” Fort: Only a Spanish Galleon Says “Pirates” Better!“ […]
Thanks for another great blog entry Benerson – I always enjoy receiving them.
Recently I acquired a new publication from the British publisher Helion & Company. It is one of their ‘Century of the Soldier 1618-1721, (No.91) Series’ entitled ‘The Armies of the Sun King 1643-1715, Volume 5, Buccaneers and Soldiers in the Americas’ written by (my good friend) Rene´ Chartrand. Rene´ is one of the best military historians in Canada and uses mainly first source material. Much of the material on the French buccaneers has not been seen before, including the illustrations.The book is excellent and I cannot recommend it highly enough. You can find it on http://www.helion.co.uk
And BTW Fortress Louisbourg on Cape Breton Island (Nova Scotia) also has a very nice, restored, ‘piratical’ sentry box on one of its bastions.
Thank you very much! I’m aware of M. Chartrand’s new book but haven’t looked at it yet, although it’s on my list to buy (a long list but growing shorter, lately my purchases have been heavy on materials associated with my annotations of Captain Blood). I’m hoping he based the illustrations on those, long-neglected by scholars, found on 1680s charts in the French National Library and ANOM. I wrote an article on some of them for The Mariner’s Mirror some years ago (ten or more?), and then wrote two blog posts on them. When I first found them I did a review of the literature and was amazed that no one had recognized their significance, and only one or two scholars quite some years before had even mentioned any of them and then only in passing, without any analysis. To my knowledge they’re the only eyewitness illustrations of buccaneers, or of any Caribbean rovers for that matter. Regarding M. Chartrand, I have several of his titles in my library. One of these days my wife, children, and I will visit Quebec and Nova Scotia (I’ve only been to Vancouver). One of my daughters and her husband travel to Quebec &c periodically, he has family there. 🙂